Okuyun ama yutmayın, çiğneyin.
“Mirov xwe nas nake ne dema ku ew tevahiya rastiyê kifş dike, lê tenê dema ku ew dev ji hemî derewan berdide.” Ev gotina kûr bingeha felsefeya Dostoevsky li ser psîkolojiya mirovan û mijara xwenasînê vedibêje. Li vir analîzek qatqatî ya vê hevokê heye: Sînorên Lêgerîna Rasyonel: Di Notên ji
OKUMAK İÇİN TIKLA“Man knows himself not when he discovers the whole truth, but only when he renounces all lies.” This profound statement conveys the essence of Dostoevsky’s philosophy on human psychology and the issue of self-knowledge. Here is a layered analysis of this sentence: The Limits of the Rational Search: In Notes
OKUMAK İÇİN TIKLADi Sûc û Cezayê Dostoyevsky de, kefareta Raskolnikov ji bo sûcê wî bi hem êş û hem jî bi hişmendiyê ve girêdayî ye (bi taybetî, şiyarbûnek exlaqî û giyanî). Lêbelê, bingehên kûr ên felsefî yên romanê nîşan didin ku ev pêvajo ne tenê ceza an tobe ye. Raskolnikov piştî kuştinê
OKUMAK İÇİN TIKLAThe Underground Man in Dostoyevsky’s Notes from the Underground experiences the paradox between freedom of will and inaction as a quintessential existential impasse. His personality is a tragic portrait of modern man trapped between his desire for freedom and his doubts about the meaninglessness of action. Here are the philosophical
OKUMAK İÇİN TIKLALos remordimientos de conciencia que experimenta el personaje Raskolnikov en Crimen y castigo de Dostoyevsky encarnan una de las contradicciones morales más complejas discutidas en la historia de la filosofía. El colapso psicológico que experimenta Raskolnikov después del asesinato plantea problemas fundamentales como el “estatus ontológico de la conciencia”, el
OKUMAK İÇİN TIKLAThe remorse of conscience experienced by the Raskolnikov character in Dostoyevsky’s Crime and Punishment embodies one of the most complex moral contradictions discussed in the history of philosophy. The psychological collapse that Raskolnikov experiences after the murder raises fundamental problems such as the “ontological status of conscience,” “free will and
OKUMAK İÇİN TIKLAEn las novelas de Fiódor Mijáilovich Dostoyevsky, la naturaleza humana es esencialmente caótica, contradictoria y paradójica. En su universo literario e intelectual, los seres humanos no pueden explicarse enteramente por la razón ni reducirse a una categoría moral o ideológica fija. Esta naturaleza compleja constituye los conflictos fundamentales de las
OKUMAK İÇİN TIKLALaw in The Brothers Karamazov: Institution of Justice or Theater of Ideology? Fyodor Mikhailovich Dostoyevsky’s The Brothers Karamazov is a philosophical novel in which not only individual conflicts but also the mechanisms of social structure, authority and ideology are deeply questioned. In this context, although the legal system in the
OKUMAK İÇİN TIKLAEl derecho en Los hermanos Karamazov: ¿institución de justicia o teatro de la ideología? Los hermanos Karamazov, de Fiódor Mijáilovich Dostoyevsky, es una novela filosófica en la que no sólo se cuestionan profundamente los conflictos individuales sino también los mecanismos de funcionamiento de la estructura social, la autoridad y la
OKUMAK İÇİN TIKLA
